Road to Nowhere

Music videos were so artistic in the 1980s. Some of them said as much as their associated music. The Talking Heads composed a music video for Road to Nowhere that, although it seems ridiculous now, was captivating at the time. It seemed to be about how life is dynamic with deviations from that which is expected. To me, it also seemed to be about enjoyment of being here now, or perhaps, there then. After all, it was filmed near Hi Vista in 1985, far away and long ago.

I did not experience Hi Vista in 1985, but did manage to get to Littlerock in about 1987, about two years later and thirty miles to the southwest. I am glad to have seen the region then. It has changed so much that I sort of hope to never see it again. Although I do not intend to avoid it if there is ever any reason for me to return, I would prefer to remember it how it was about thirty-seven years ago. There are plenty of other scenic regions of the Mojave Desert to tour.

While in the region, I noticed that a few interchanges on the highways that we drove on were more substantial than the highways were. They were proportionate to the urban development that was expected for the region. The portions of the highways between the interchanges were upgraded later, which is now a long time ago. So much of what I remember as rural is now suburban or urban.

That is what this landscape reminded me of. It is near my formerly rural home south of San Luis Obispo, where I lived while in college. Although this parking lot was here before I was, it has since been renovated. The area beyond was merely pasture occupied by cattle. This long and prominent crosswalk crosses the parking lot as if going somewhere important, only to terminate at this empty landing, which is surrounded by ceanothus. It certainly looks odd. Obviously, the walkway is intended to continue in some form into development that is planned for the adjacent site. I had not been here in about thirty-four years, so should not be surprised by such changes. Perhaps I am no more surprised than I am amused by this landscape and its associated road to nowhere.

Six on Saturday: &

Odds & ends. Bits & pieces. Rhythm & blues. That is all I got here. The latter might make sense with #4 below. It makes this no easier for me though. I have difficulty writing with characters such as “&”, and even “#”, although I do use “#” when necessary to describe a caption number or can size as for #6 below. Perhaps I should challenge my comfort zone a bit more, as I did when I tried using contractions a few months ago. Although I did not continue using them afterward, it was not nearly as awkward as I thought it would be. At least I now realize that I could do so if I choose to. I simply choose to not do so. In other simpler words, I could, but I don’t.

1. Carson, Rhody’s Roady, posed for this thumbnail illustration for a recent article about how similar binomial botanical nomenclature is to traditional automotive nomenclature.

2. Purchases are almost against the rules in my garden. They can only involve items that I lack access to. This purchase that was delivered by mail apparently needed ventilation.

3. Someone who does not take compliments well diverted this one to me. No one knows what seed it contains, but I suppose that we will find out when it grows after next winter.

4. Salvia guaranitica ‘Rhythm & Blues’ came as a cutting in a red Solo cup with the pack of unidentified wildflower seed. This is why I abide by my rule that disallows purchases.

5. Saccharum officinarum ‘Pele’s Smoke’ sugarcane provided more cuttings than I knew what to do with. Fortunately, most succumbed to frost. I can accommodate these fifteen.

6. However, they are merely the fifteen best specimens that were big enough for #1 cans. At least as many smaller cuttings that got separated from them still need four inch pots.

This is the link for Six on Saturday, for anyone else who would like to participate: https://thepropagatorblog.wordpress.com/2017/09/18/six-on-saturday-a-participant-guide/

Crassula tetragona

Crassula tetragona is more similar to related jade plant than it appears.

Although the narrow and pointed inch long leaves of Crassula tetragona (which lacks a common name) are not at all similar to the plump rounded leaves of the closely related but much more common jade plant, it is much more similar to jade plant than it appears to be. Both enjoy sunlight but will take a bit of shade. Both can be damaged by extreme exposure (reflected glare and heat), as well as the opposite extreme, frost. Their succulent stems are so easy to root as cuttings, that rather substantial pieces that may need to be pruned off can be stuck into the soil as instant new plants. Even leaves of these and various other specie of Crassula can be rooted as very small cuttings. Besides its distinctive foliage, Crassula tetragona differs from jade plant only because it is limited to about a foot and a half high and wide, and blooms with unremarkable white flowers instead of more prominent flower trusses.

Volunteering at the San Jose Heritage Rose Garden

The San Jose Heritage Rose Garden is the most complete collection of ancestral roses in the World!

(This article is recycled from several years ago, so information about events is now outdated.)

            No matter how careful I am to avoid spending any money at Spring in Guadalupe Gardens, I have never escaped without purchasing something, or a few or even several somethings that I did not need but really wanted for my garden. My plunder was relatively meager this year, but did include three climbing roses from Liggett’s Rose Nursery.

            One is a ‘Renae’ rose that blooms all summer with remarkably fragrant pale pink blooms. Its fragrance is so obnoxiously strong though; that I gave the plant to my neighbor, and told him that it ‘smells good’. It really does smell good, albeit from a distance, such as in my garden.

            The other two roses are ‘Lamarque’, with abundant fluffy white blossoms all summer. The robust fragrance is fortunately more tolerable. I really like the monstrous canes that are already reaching out to cover a bare embankment.

            The two ‘Lamarque’ roses are manageable so far. I really do not know how manageable they will be next year though. It would be nice if they could go wild, and only get pruned as they encroach into trees and the driveway. However, roses perform best if properly maintained. I will want to be able to prune off deteriorating flowers to promote subsequent bloom. This process of ‘dead heading’ will not be so easy if I can not reach all the canes.

            The Heritage Rose Garden has a similar challenge. Although most of the plants are within reach of anyone wanting to prune them, there are simply too many plants for a herd of goats to remove all the spent blooms from. Since goats are not such a feasible option in a rose garden, volunteers are invited to attend a Rose Deadheading Blitz from 5:00 to 7:30 p.m. every second Tuesday of each month, beginning June 8 and continuing until September 7.  

            No experience is needed, either for deadheading the roses or for swilling the ice cream served afterward. Volunteers should bring shears and gloves, and wear closed-toe shoes. Shears are available from the staff if necessary. 

            The Heritage Rose Garden is located on Taylor Street at Spring Street, just east of Coleman Avenue in San Jose. Volunteers can get more information or sign up by contacting Volunteer Coordinator, Lucy Perez by telephone at 298 7657 or by email at lperez@grpg.org. 

            My bounty from Spring in Guadalupe Gardens of past years includes many succulents, particularly a few specie of Crassula that were frozen by frost early last winter. Their recovery has been delayed by the lingering cool and rainy weather through spring. Now that I am removing the last of the sludge that remains from the previously frozen leaves and stems, I am finding where snails have been hiding and breeding. Even though the sludge is harmless, the snails within are not. I probably should have cleaned it out earlier.

            Foliage of fruit trees, roses or other plants that has been infected with peach leaf curl, powdery mildew or any other disease should likewise be removed and disposed of. Either next spring or later this year, secondary infection is much more likely without sanitation.

Honey Locust

Honey locusts produces delightfully dappled shade.

Within its native range, wild thorny honey locust, Gleditsia triacanthos, is a nasty tree! Its wicked thorns are typically as long as four inches but can be twice as long. Some branch into many thorns or thick clusters of thorns. Thickets of many trees can be impenetrable. Female trees produce a messy abundance of brown pods that are about half a foot long.

Fortunately, its cultivars are much more docile. Most are exclusively male, so produce no pods. Old fashioned cultivars that might produce pods as they mature are now rare. More importantly, cultivars are thornless. That is why their common name is now honey locust rather than thorny honey locust. They are as remarkably resilient as the simpler species.

Most cultivars of honey locust grow no taller or wider than fifty feet here. Some grow only half as tall. Some of the more popular cultivars are brightly yellowish green for spring. At least one is ruddy bronze for spring. The finely textured foliage provides dappled shade. Leaves are pinnately and bipinnately compound, and turn yellow for autumn defoliation. Individual leaflets are less than an inch long, so can be difficult to rake.

Clearance Pruning Directs Obtrusive Vegetation

Traffic signs must always remain visible.

Pruning techniques are very diverse to serve various purposes. Dormant pruning during winter concentrates resources for spring or summer growth. Hedging or shearing merely contains growth. Thinning or grooming removes superfluous growth to enhance sunlight diffusion. Clearance pruning directs new growth that might otherwise become obtrusive.

There are too many distinct pruning techniques to mention. Some, such as shearing and thinning, are mutually exclusive. Shearing actually initiates the sort of congested growth that thinning eliminates. Techniques such as dormant pruning and clearance pruning are mutually compatible. After all, almost all pruning is less stressful with winter dormancy.

Clearance pruning merely becomes a concern now as spring growth becomes obtrusive. Much of the worst require professional assistance. Only arboricultural professionals can safely prune trees away from high voltage cables. Such cables are extremely hazardous! Utility services generally try to arrange such procedures before major problems develop.

However, arboricultural professionals are necessary for other clearance pruning as well. Many trees are simply too large or hazardous for anyone but professionals. Some extend over roadways that need clearance for the largest of trucks. Some extend over chimneys that could ignite vegetation that gets too close. Many simply extend beyond a safe reach.

Street trees seem to require the most clearance pruning. They must be a specified height over any roadway, as well as over any sidewalk. Also, they must not obstruct street signs or views for cars backing out of driveways. Ideally, their interference with light from street lamps should be minimal. Vegetation that is closer to buildings presents other concerns.

Besides chimneys and exhaust vents, roofs also need clearance. Stems and foliage are abrasive as they move in any wind. They collect debris that causes rot and clogs gutters. Furthermore, walkways and navigable areas are more efficient with adequate clearance. Clearance pruning should direct growth away from any obstruction, rather than contain it.

Perennial Annuals

New Guinea impatiens (with ivy geranium) from last year.

Annuals complete their entire lifespans within a single year.

Perennials survive for more than a single year.

Biennials grow vegetatively during their first year, and then bloom, disperse seed and die during their second year, but that is another story.

Most species that are appreciated as annuals here actually have potential to be perennials, even if only short term perennials. They are only replaced annually because it is easier than maintaining them through their dormant season.

For example, busy Lizzy is a warm season annual that gets installed for spring and replaced with cool season annuals for autumn. However, if cut back and sheltered from frost, it can survive through winter to perform for the following spring and summer. Actually, it can survive perennially like this for quite a few years, and as it ultimately deteriorates, it can replace itself with its own cuttings or layered stems.

Brent did this with New Guinea impatiens from last year. He neglected to replace them for winter (which is quite brief there), and then noticed that they resumed growth as winter ended. Now, they are huge and even more spectacularly florific than they were last summer.

The picture above shows where I camp out in his backyard when I go to Southern California. Most of the white bloom to the right is actually ivy geranium that cascades below the New Guinea impatiens, but most of the white bloom to the left is New Guinea impatiens above ivy geranium. (White on white was not quite as monotonous when each of the two species maintained its distinct form last year.)

Small terrace at the western margin of the garden.

This other pair of potted dwarf Alberta spruce surrounded with the same New Guinea impatiens above, with a close up below, flanks the steps to a small terrace at far western margin of the garden.

These New Guinea impatiens are huge because they resumed growth from last year.

Arrest

Phoenix canariensis, Canary Island date palm

“Put your hands in the air!

That is what this uplit Canary Island date palm seems to be responding to. It seems to be surrounded by police, with their spotlights aimed at it as they proceed with an arrest. It actually seems to be guilty, although it might merely be humiliated.

Brent is a renowned landscape designer in the Los Angeles region. I know that I should not question his work. After all, aside from all the other unusual horticultural work that I do, my primary work is supposed to be on the farm. I merely grow the material that Brent’s crews assemble into their landscapes. I know that Brent knows what he is doing, and his clients appreciate it very much. I just do not quite get it.

Although I happen to be fond of Canary Island date palms in other peoples’ landscapes, I do not think that I would want one in my own garden. I would prefer a fruiting pair of date palms. Even that is a stretch. They occupy significant space, and probably would not produce good fruit here anyway. Even if such palms inhabited my garden, I know that I would not want them uplit like this. Such trees seem to be embarrassed or annoyed about being kept up late. They really deserve to get some sleep at night like everyone else.

Uplighting became popular in the 1970s. By the time that Brent and I were in school, and he was studying landscape design, lighting of various colors had become popular. I can remember a landscape in his Parents’ neighborhood that was done up like a horror movie with red lights. Another was done up like a circus with various tacky colors. Eventually, white lights became most popular, although colorful lights are not completely unpopular.

Six on Saturday: Crosswalk

A crosswalk connects a rose garden at work to a fancy perennial and annual bed across a narrow road. As much as I would like to maintain certain standards within both of these two distinct gardens, neither is perfect. Each is inhabited by something that should be of the other. One stays because of its justification for being there. The other stays because I can not easily separate it from the roots of what moved in over it, and because we sort of like it there now. Anyway, I added another picture from Arizona a month ago, and one of Brent’s useless pictures, just because they are too pretty to discard without sharing here.

1. Distictis riversii, royal trumpet vine demonstrates that, no matter how much he wants to get one of his pictures into his local Canyon News, Brent does not provide a good one.

2. Lantana camara, which is known simply as lantana, bloomed within the same garden as the orange cultivar of last Saturday; so this picture is from a month ago near Phoenix.

3. Rosa, which is an unidentified miniature rose, is designated as the lily rose because of its stubborn occupancy of a former lily colony within a garish perennial and annual bed.

4. Although pretty, it really should be in the rose garden across the road. I can not move it over there, because of its sentimental significance for the person who installed it here.

5. Lilium, which is an unidentified Oriental lily, is designated as the rose lily because of its stubborn occupancy of a former perennial and annual bed that is now a rose garden.

6. Although pretty in bloom, it really should be with this colony of abundant lilies, which I shared a picture of last Saturday, in a garish perennial and annual bed across the road.

This is the link for Six on Saturday, for anyone else who would like to participate: https://thepropagatorblog.wordpress.com/2017/09/18/six-on-saturday-a-participant-guide/