Good old-fashioned Heavenly bamboo, Nandina domestica, which can almost reach the eaves, can be difficult to obtain nowadays. More compact modern cultivars do not get much more than six feet tall, and some stay less than three feet tall. Foliage is airier in partial shade, but more colorful where more exposed.
As it begins to emerge in spring, new foliage is pinkish or reddish before greening. It slowly bronzes by autumn. Some cultivars turn ruddy or orangish, or even burgundy. Individual leaves are actually quite large, but are divided into many small, diamond shaped leaflets. Some cultivars have very narrow leaflets. Tiny white flowers bloom through summer. Bright red berries ripen through autumn.
Although unrelated, Heavenly bamboo grows like bamboo, with vertical canes developing from creeping rhizomes. Overgrown or deteriorating canes should be cut to the ground as they get replaced by newer canes. Otherwise, they become top-heavy and inhibit development of new canes. Foliage should not be shorn, since it is not much to look at without its naturally intricate texture.
Ferns tends to be . . . well, ‘ferny’, with divided or intricately lobed foliage. Staghorn ferns and bird’s-nest ferns are the more familiar of the rare exceptions. Staghorn ferns have two types of simple undivided fronds, and both types lack rachi. Bird’s-nest ferns have weirdly simple fronds that, although equipped with prominent rachi, lack any distinctive division or lobes that make ferns ‘ferny’.
How Italian! Red, white and green! A coastal redwood with a white albino sport (mutant growth) amongst otherwise deep green foliage. Actually, it is very Californian. Coastal redwood is endemic to California with only a a few north of the border on the extreme southern coast of Oregon.
That refers to the pattern of the veins in the leaves. Long before studying horticulture and botany at Cal Poly, my classmates and I learned a bit about horticulture within the contexts of studying ‘nature’. While in the sixth grade, we all went to camp for a week. One of the many projects we did during that time was collecting a few leaves to represent three different vein patterns, and mounting them under clear plastic on a cardboard plaque. The three different patters were, ‘pinnate’, ‘palmate’, and ‘parallel’. I do not remember if we all used the same leaves, but for my plaque, I got a blue gum eucalyptus leaf to represent pinnate veins. Palmate veins were represented by English ivy. Parallel veins were represented by English plantain.