Shedding Foliage Often Precedes Defoliation

Shedding foliage will eventually get messy.

Indian summer is more typical here than not. As usual, the weather cooled somewhat as summer finished, and then warmed again. It is now autumn by date, but still seems to be summer by weather. This might confuse some vegetation, although some is familiar with this pattern. Some vegetation reacts by shedding foliage prematurely, prior to dormancy.

Prematurely shedding foliage is not the same as defoliation of deciduous species. Many of the species that exhibit such response to the weather are evergreen. More importantly, both evergreen and deciduous species do it prior to autumn dormancy. Also, they do not defoliate completely. There will be enough deciduous foliage for autumn foliar color later.

In the wild, prematurely shedding foliage is common among native California sycamore. It is a natural response to minor desiccation from any combination of aridity and warmth. It is as random as weather. Anthracnose is a foliar disease that might cause more severe defoliation earlier. Either type of shedding may be visually unappealing, but is harmless.

Actually, premature shedding foliage is common among many regionally native species. It helps them survive within chaparral climates. Although not a problem in the wild, it can be messy in or adjacent to refined landscapes. Both coastal redwood and coast live oak are notoriously messy. Yet, both species are evergreen and endemic to coastal climates.

Some exotic species from various climates can exhibit prematurely shedding foliage too. Species from other chaparral or desert climates are naturally proficient with the process. Species from less arid climates learn fast. It can be stressful for some of them. Daylength assures them that shedding is now safe. However, warmth that necessitates it might not.

Various species react variously to the various causes of premature shedding. That is too many variables. Simply, shedding is different every year because the weather is different every year. Eastern redbud and birchs that are exceptionally messy now may not be next year. Japanese maples happen to be shedding a bit less this year than they typically do.

Unconventional Dried Flowers

Rose hips are pretty fresh, and can alternatively be dried.

The problem with an abundance of bloom by lily-of-the-Nile over the summer is that all the spent blooms need to be plucked about now. Fortunately though, not all of the spent blooms need to go to compost or greenwaste. The stalks and floral trusses (the clusters of short flower stems on top of the stalks) can actually become interesting ‘dried flowers’, even though the real flowers are long gone.

Many years ago, my neighbor took many of the lily-of-the-Nile stalks that I plucked from my front yard, plucked off the seed capsules, and hung the empty stalks upside down until they dried and turned tan. Being the artistic sort, she added them to other dried flowers and foliage, and arranged them in a large vase (which I think is pronounced as ‘vahz’). Over the years, we found that we can actually let them dry in the garden if we first remove the seed capsules which would otherwise weigh them down and bend the stalks.

Since my artistic neighbor liked these lily-of-the-Nile flower stalks so much, I brought her other dried flower stalks to see how or if they could also be useful. We found that flower stalks from New Zealand flax were just as interesting and even more striking; and some types make rather tall stalks. The large seed capsules from Eucalyptus ficifolia function like modern substitutes for small pine cones. 

There are many other plant parts that can be dried and used with dried flowers as well. Cut bird-of-Paradise leaves become sculpturally twisted as they dry. Petioles (leaf stalks) of windmill palm become simple but striking straight black sticks. While still green, the palm leaves can be cut with scissors into interesting shapes less than six inches wide (larger cutouts disfigure). Some native iris produce large seed capsules that split open as they dry, to reveal bright orange or red seeds within. Money plant is actually grown for its dried seedpods instead of for flowers of foliage.

Even bare stems can be added to dried flower arrangements. Both manzanita and madrone have gnarly stems that turn black or dark brown once cut. Fig has contrastingly thick and curving white or gray stems. Bamboo can be cut into sections of any desired length and stripped of foliage. Heavenly bamboo (Nandina spp.) has shorter canes with a corky texture. Realistically, there are no rules for what works well with dried flowers. Anything that looks good is worth trying once.

Straw flowers, statice (Including sea lavender), lavender, globe thistle and yarrow are some of the more traditional dried flowers. Cat-tails and pampas grass flowers can work as well in large arrangements as they did decades ago, but should be sprayed with hair spray to keep them from shedding. (Cat-tails can actually be very messy if they happen to explode.)

Although spray paint is much too synthetic for those of us who prefer dried flowers to look natural, it also works well to keep pampas grass flowers and cat-tails from shedding while adding serious color. Some people enjoy the potential for unnatural colors enough to spray paint other dried flowers and plant parts that do not need to be sprayed with a fixative.

Japanese Aralia

Japanese aralia is both prehistoric and futuristic.

The popularity of Japanese aralia, Fatsia japonica, has spanned more than just a few decades. The big, glossy leaves of this lush foliar plant adorned the home of the Flintstones in Bedrock many thousands of years ago, as well as the office of Mr. Spacely of Spacely Sprockets, where George Jetson works, some time in the future! It is just as happy in most types of soil as it was in the front yard at the Flintstone Residence, and is just as happy in large containers as in Mr. Spacely’s office. As long as it is protected from harsh exposure or reflected glare (like it might get from large lightly colored walls or tinted windows), Japanese aralia does well in full sun, or can be just as happy in the shade of larger trees. 

Although it does not grow too rapidly, Japanese aralia eventually gets nearly eight feet high and wide, and commands a bold presence. Their deeply and symmetrically lobed leaves can get as broad as a foot and a half, on long petioles (stalks). The foliage of ‘Vairegata’ emerges with a yellow border that turns pale white. ‘Moseri’ stays quite compact.

Plants grown for their foliage can be maintained by cutting oldest stems to the ground as they deteriorate, so that newer stems can replace them. Excessive basal watersprouts can be cut or ‘peeled’ off if they get too crowded. Alternatively, lower growth can be pruned away as it develops to elevate the canopy and expose interior stems. However, individual stems do not last indefinitely, and will eventually need to be replaced by any convenient watersprout. The most deteriorated plants can be rejuvenated by getting cut to the ground just before spring.

Out with the new, in with the old

Canna ‘Cannova Mango’

Canna ‘Cannova Mango’ is a relatively recent introduction to the landscapes here. I inadvertently brought it back from Southern California about two and a half years ago, without realizing that it is exactly the sort of modern cultivar that I am not at all keen on. It is new. It is improved. It blooms with a strange but trendy color. The problem is that it performs too well to not be an asset to the landscapes. Because it is so short and compact, it starts blooming early, while old fashioned Canna are still only foliar. Because it replaces older stalks with newer stalks so efficiently, it is rarely without bloom until frost. Other cultivars of the series bloom yellow, lemon (which is implied to be distinct from yellow), orange shades (?), red golden flame (?!), rose, scarlet with bronze foliage or orange with bronze foliage. The tallest are less than five feet tall. Regardless of my disdain for modern cultivars, I do not doubt that all of them perform as impressively as ‘Cannova Mango’. Nonetheless, I prefer the older and formerly common sort. A relatively compact cultivar that stays less than about four feet tall with simple green foliage and billowy but simple red bloom has been relocated through a few landscapes here since the early 1980s. Although not many rhizomes survive, I intend to grow more of it, even if not so much within the landscapes at work. Its bloom begins a bit later, and is neither as profuse nor as continuous as that of ‘Cannova Mango’, but it has history here. Besides, its more relaxed foliar texture and bloom somehow seem to be more compatible with the surrounding forested setting than the almost too refined modern cultivars, with their perfectly compact form, overly profuse bloom, and strangely modern floral color.

Unidentified old fashioned red Canna with green foliage.

Smokebush

Smokebush bloom is not particularly flowery.

Mundane floral color and a lack of floral fragrance are no problems. Smokebush, Cotinus coggygria, compensates. Its uninteresting bloom reveals strikingly fluffy floral trusses for summer. These trusses eventually deteriorate to reveal exquisitely vibrant foliar color for autumn. This foliar color eventually deteriorates to reveal sculptural trunk form for winter.

Foliar color through spring and summer is likely the most striking attribute of smokebush. Most are boldly rich purplish bronze. Some are strikingly vivid yellowish chartreuse. The two extremes contrast splendidly. Old fashioned olive drab is now rare. Foliar color does not fade much. However, it suddenly transitions to fiery orange and red color for autumn.

Old fashioned olive drab smokebush can grow a bit more than fifteen feet high and wide. Because it does not grow fast, only old specimens are so large. Most bronze cultivars do not get much higher than first floor eaves here. Chartreuse cultivars are likely to stay a bit shorter. Healthy young specimens might get wobbly if their canopies outgrow their roots. Aggressive pruning improves form and stability, and can also enhance foliar color.

Six on Saturday: ‘Variegata’

‘Variegata’ is a common designation for the first variegated cultivar of a species. Fancier or later distinct cultivars get fancier cultivar designations. The first three of these six are variegated, but lack a cultivar designation as if variegation is normal for the species. The fourth seems to have a few cultivars with the same designation. The last two could be the only variegated cultivars of their respective species. I can not remember ever seeing any of the first four without variegation. The fifth is still rare. The sixth is now more popular than unvariegated.

1. Hypoestes phyllostachya, polka dot plant lacks cultivar designation. This was labeled merely as white. Variation of foliar variegation indicate that they were grown from seed.

2. Hypoestes phyllostachya, polka dot plant is also pink, which is exactly how this other half of them was labeled, likewise without cultivar designation. ‘Variegata’ would suit it.

3. Hypoestes phyllostachya, polka dot plant variegation is variable. Some specimens are more green than others. At least two of the pink sort are variegated with red such as this.

4. Aucuba japonica ‘Variegata’, gold dust plant is about as variable as polka dot plant is, but is known by the same cultivar name. Of course, modern cultivars have other names.

5. Tupidanthus calyptratus ‘Variegata’, mallet flower was not planned. I have wanted to grow the typical unvariegated type since I met it in 1986. Brent sent me this raggedy old but rare variegated specimen so that I would grow more for him. I am learning to like it.

6. Solandra maxima ‘Variegata’, cup of gold vine was also unplanned. I grew the typical unvariegated type to the left first. Then, Brent got me the variegated cultivar to the right. I am getting to like it because it is more docile. The unvariegated sort grows like a weed!

This is the link for Six on Saturday, for anyone else who would like to participate: https://thepropagatorblog.wordpress.com/2017/09/18/six-on-saturday-a-participant-guide/

Aromatic Foliage Is An Acquired Taste

Foliar aromas and flavors that are useful for culinary application deters many grazing animals.

The infinite variety of colors, fragrances, flavors and even textures that plants use to solicit the help of wildlife is amazing. Flower color, fragrance and sometimes texture are customized to attract very specific pollinators, and guide them to where they are needed. Many flowers direct and reward their pollinators with flavorful nectar. Fruit color, flavor and aroma attract specific animals to take the fruit, and disperse the seeds within. There is no end to what plants will do for their friends. We are merely secondary beneficiaries.

It is ironic that we also enjoy aromas and flavors that are instead designed to be objectionable to plundering herbivores. For example, the appealingly pungent foliage of most herbs is actually intended to repel grazing animals or feeding insects. We not only exploit these herbs for culinary purposes, but also to add their aromas to our gardens.

Lavender, mint, rosemary and the various thymes and sages are the most popular herbs that are attractive both aromatically and visually, whether or not we actually use them in the kitchen. Rosemary is actually a common and practical ground cover for large areas. Thyme is a good ground cover for smaller areas, and stays low enough to be grown around stepping stones where it becomes even more aromatic if stepped on.

Grecian or sweet bay is another herb that actually grows into a sizeable but practical evergreen tree. The native bay laurel is a bit too large to be as practical where space is limited, but is even more pungent. Although generally not useful as herbs, the various cypresses, pines, cedars and eucalypti are appreciated for their aromatic foliage as well. Incense cedar is particularly pungent.

Two of my favorite types of plants, junipers and geraniums, are among the more common aromatic shrubbery. Although actually considered to be perennials, zonal, ivy and of course, scented geraniums, can be used as small shrubbery or small scale ground cover. Junipers of course, range from ground covers to shrubbery to small trees.

Rockrose, breath of Heaven (Coleonema spp.) and myrtle are all quite aromatic. The old fashioned myrtle that gets considerably larger than the modern compact variety is even more aromatic. Lantana is an aromatic ground cover or low mounding shrubbery.

The aromas of aromatic foliage are strongest as fresh new foliage emerges in spring, and particularly after spring rain. Some people like to put aromatic plants where they will be slightly in the way, since foliage relinquishes its aroma more readily when slapped with a gate, bumped, or otherwise disturbed. 

Going Bananas!

‘Double Mahoi’ is not even a fraction of a single yet, but can grow fast.

This is not banana territory. The soil is good, and water is readily available; but the climate is a limiting factor. The weather does not get very warm for very long. When it rarely gets almost unpleasantly warm during the day, it generally gets tolerably cooler overnight. Bananas are none too keen on such comfortable weather. They want sustained warmth, with less fluctuation of temperature between night and day.

This is precisely why I should not have acquired as many as fourteen cultivars of banana. Some may never do more than generate appealingly lush foliage here. Those that produce fruit will unlikely produce fruit that is much more than marginally palatable. One of the cultivars is the oem, which is the largest banana ‘tree’ in the World. I have NO idea of how to manage it. ‘Mekong Giant’ also grows quite large and heavy. Two cultivars are unidentified, so could possibly be copies of others. ‘Kokopo Patupi’ may not have survived last winter, as it has not begun to regenerate yet. Four other cultivars were given away, but then generated pups that are now returning! I do not remember how many cultivars are here now, but I know that there are too many.

Oem is resuming growth faster than the others, but with small leaves from within pseudostems that produced larger leaves last year. ‘Double Mahoi’ is likewise regenerating dinky and pale leaves that are actually dinkier than those that emerged earlier from a shriveled carcass of a dinky pup that got frosted last winter.

I want all of the cultivars of banana to survive and thrive, but I should have planned for them better. Now, I should plan to find homes for most of them instead. Even if I could manage them all, I can not justify doing so.

Oem is the biggest banana ‘tree’ in the World!

Mound Lily

Mound lily exhibits stiffly spiny foliage.

Yucca is a genus of about fifty species. However, any two can hybridize. They are more like fifty or so varieties of one species. They maintain distinction by blooming at different times or inhabiting different ranges. Mound lily, Yucca gloriosa, is one of these species. However, it is technically a perpetuating hybrid of Yucca filamentosa and Yucca aloifolia.

Mound lily develops symmetrical foliar rosettes that are only a few feet tall. Stout trunks that develop below can very slowly elevate these rosettes about eight feet. Elegantly tall floral stalks can stand as high as five feet higher. The stiff and evergreen leaves are one to two feet long, and about two inches wide. Their terminal foliar spines are very sharp.

The most popular cultivar of mound lily is variegated with creamy white stripes. Tristis is a variety with more flexible and arching foliage. It formerly classified as a distinct species of Yucca recurvifolia. All yuccas bloom with small, pendulous and creamy white flowers. Such flowers may exhibit a pale purplish or faint pale greenish blush.

New Zealand Flax

New Zealand flax provides colorful foliage.

Old fashioned New Zealand flax, Phormium tenax, is becoming increasingly uncommon. It is simply too big for compact modern gardens. Even without upright stems, its vertical and olive drab leaves can reach ten feet tall. They can flare outwardly as wide as fifteen feet. One cultivar is bronzed. Another is variegated. Both are somewhat more compact.

Most modern cultivars are either Phormium colensoi or hybrids of the two species. They are more compact and more colorful. ‘Jack Spratt’ grows only about a foot and a half tall, with chocolaty bronze foliage. ‘Yellow Wave’ gets about three or four feet tall with arching foliage with yellow stripes. Others are bronzed or striped with yellow, brown, red or pink.

New Zealand flax is remarkably resilient. The evergreen foliage is so very fibrous that it can be difficult to cut. Tough rhizomes that migrate where they are not wanted propagate easily by division. Some cultivars can revert by generating less colorful mutant growth. Since it is greener, such growth is more vigorous. It can overwhelm and displace more colorful foliage.