It is hard to say why boulders and sculptural stone are sometimes incorporated into American landscapes. A long time ago, boulders were only left in landscapes if they were to big and heavy to move out of the way or break apart. Early American landscapes were designed to express dominance over nature by replacing as much of it as possible with unnaturally organized landscapes.
Slowly through history, less refined and more relaxed landscapes became more tolerable, and then became popular as an expression of rebellion to earlier formality. Nowadays, most landscapes are inevitably informal, partly because so many believe that informality is more natural, and partly because few landscape designers will design anything else. Simplicity and symmetry are passe.
This informality allowed for the incorporation of various elements from various styles of landscaping, regardless of how incompatible some of such elements were with each other. Boulders and sculptural stone that had been traditional with many Asian styles of landscape design were added to American landscapes in rather nontraditional fashion. It has been a slow process of evolution.
Boulders are obviously nothing like viable and dynamic plant material, although they do contribute form, texture and color to a landscape. Designers might say that bigger and sculptural boulders add drama without even trying. In some situations, boulders are as functional as they are aesthetically appealing. They can obstruct unwanted traffic or hold back soil that is at a higher elevation.
If they need not conform to any of the various Asian landscape design traditions, there are not many rules for the use of boulders and sculptural stone. Exotic stone that might be incompatible to big open landscapes where exposed endemic stone is visible nearby, might be just fine in enclosed gardens where there is no reference for what is natural.
The standard rule of burying as much as two thirds of a boulder to make it seem as a natural outcropping is only valid if it is intended to look like a natural outcropping.
This is why I do not bother growing greens in the garden just yet. Wild radish grows here wild; and there is way too much of it. Most but not all of it gets mown in meadows or cut down with weed whackers on the edges of roadways. There is no need to cut down that which is out of the way. Besides, we could not cut it all even if we wanted to. There is wild turnip and mustard too. All are prolifically naturalized and invasive exotic species.
Generally, that is how they are. Almost all perennial pea flowers bloom with the same bright purplish pink color of the bloom in the picture below. That is, of course, before their pods develop, but you get the point. We sort of know what to expect from them.






It is impossible to say who the parents were. So many specie were hybridized to develop the many cultivars of flowering maple that the Latin name of the collective group is simply Abutilon X hybridum, which means exactly what it looks like. They are hybrids of various and rarely documented species of Abutilon. The ‘X’ dispels any doubt. ‘Chinese lantern’ is another common name.
A well designed landscape should be an asset, not a liability. It should beautify and enhance the function of outdoor space, while harmonizing with associated indoor spaces. In order to continually do so, even a very well designed landscape requires maintenance so that it does not become so overgrown that it becomes unsightly and obstructive.
This is one of the more traditional perennials for old fashioned window boxes, not only because it cascades downward to avoid obstructing associated windows, but also because, back before window screens were commonly available, the aromatic foliage was purported to repel mosquitoes. Ivy geranium, Pelargonium peltatum, is splendid for hanging pots and retaining walls as well.
These are perfect conditions for crop circles. Even without any convenient grain crops, there is plenty of tall grass in unmanaged and ungrazed fields. All this grass needs is to be crafted into crop circles.